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Introduction : tradition and innovation in contemporary narrative theory | 1 | |
1 | Histories of narrative theory (I) : a genealogy of early developments | 19 |
2 | Histories of narrative theory (II) : from structuralism to the present | 36 |
3 | Ghosts and monsters : on the (im)possibility of narrating the history of narrative theory | 60 |
4 | Resurrection of the implied author : why bother? | 75 |
5 | Reconceptualizing unreliable narration : synthesizing cognitive and rhetorical approaches | 89 |
6 | Authorial rhetoric, narratorial (un)reliability, divergent readings : Tolstoy's Kreutzer sonata | 108 |
7 | Henry James and "focalization," or why James loves gyp | 124 |
8 | What narratology and stylistics can do for each other | 136 |
9 | The pragmatics of narrative fictionality | 150 |
10 | Beyond the poetics of plot : alternative forms of narrative progression and the multiple trajectories of Ulysses | 167 |
11 | They shoot tigers, don't they? : path and counterpoint in the long goodbye | 181 |
12 | Spatial poetics and Arundhati Roy's The God of small things | 192 |
13 | The "I" of the beholder : equivocal attachments and the limits of structuralist narratology | 206 |
14 | Neonarrative; or, how to render the unnarratable in realist fiction and contemporary film | 220 |
15 | Self-consciousness as a narrative feature and force : tellers vs. informants in generic design | 232 |
16 | Effects of sequence, embedding, and ekphrasis in Poe's "The oval portrait" | 253 |
17 | Mrs. Dalloway's progeny : The hours as second-degree narrative | 269 |
18 | Genre, repetition, temporal order : some aspects of biblical narratology | 285 |
19 | Why won't our terms stay put? : the narrative communication diagram scrutinized and historicized | 299 |
20 | Gender and history in narrative theory : the problem of retrospective distance in David Copperfield and Bleak house | 312 |
21 | Narrative judgments and the rhetorical theory of narrative : Ian McEwan's Atonement | 322 |
22 | The changing faces of Mount Rushmore : collective portraiture and participatory national heritage | 337 |
23 | The trouble with autobiography : cautionary notes for narrative theorists | 356 |
24 | On a postcolonial narratology | 372 |
25 | Modernist soundscapes and the intelligent ear : an approach to narrative through auditory perception | 382 |
26 | In two voices, or : whose life/death/story is it, anyway? | 399 |
27 | Narrative in and of the law | 415 |
28 | Second nature, cinematic narrative, the historical subject, and Russian Ark | 427 |
29 | Narrativizing the end : death and opera | 441 |
30 | Music and/as cine-narrative or : Ceci n'est pas un leitmotif | 451 |
31 | Classical instrumental music and narrative | 466 |
32 | "I'm Spartacus!" | 484 |
33 | Shards of a history of performance art : Pollock and Namuth through a glass, darkly | 499 |
34 | Narrative and digitality : learning to think with the medium | 515 |
35 | The future of all narrative futures | 529 |
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