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Brutal Beginnings: Imagining Murder/ Watching Murder
• Moving Eyes, Moving Sculptures
• Inside and outside Somebody Else's Fantasy
• Make Believe Is Always a Story
• Single-Handed and Collective Make Believe
• Movies and Hyper-Visual Culture
• La Strada and the Conjecturing Imagination
• Madame Bovary: Linguistic Configurings of Imaginative Corruption
• Rashomon and Wuthering Heights
• Form in Visual Storytelling: Buster Keaton's The General
• Genre and Transforming Sources: High Noon Forenoon
• Seeing and Imagining Ethical Crises: High Noon: Afternoon
• Great Expectations: Insights from the Impossibility of Adaptation
• Magnifying Criminality: Fargo, Film Noir, and A Perfect World
• Innovative Lawfulness: Learning to Read
• Works Cited
• Index
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Add Make Believe in Film and Fiction : Visual vs. Verbal Storytelling, Describing in detail precise differences between the psychological experience of reading a novel and watching a movie, Make Believe in Film and Fiction shows how movies' unique magnification of movements produces stories especially potent in exposi, Make Believe in Film and Fiction : Visual vs. Verbal Storytelling to the inventory that you are selling on WonderClubX
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Add Make Believe in Film and Fiction : Visual vs. Verbal Storytelling, Describing in detail precise differences between the psychological experience of reading a novel and watching a movie, Make Believe in Film and Fiction shows how movies' unique magnification of movements produces stories especially potent in exposi, Make Believe in Film and Fiction : Visual vs. Verbal Storytelling to your collection on WonderClub |