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Acknowledgments | ||
Foreword | ||
Introduction | ||
1 | Forsaking the Formula, 1903-1921 | 1 |
2 | Form in Clay and Color, 1922-1925 | 15 |
3 | Of Organisms, Machines, and the Illusion of Architecture, 1926-1931 | 21 |
4 | Rubbing Aladdin's Lamp, 1932-1934 | 41 |
5 | Jean Murray Bangs and a Career Takes Shape, 1934-1937 | 51 |
6 | Houses with Good Manners, 1938-1942 | 71 |
7 | New York: Glamour and Dissension, 1943-1944 | 97 |
8 | Back West: A Regrouping in Patterns, 1944-1948 | 107 |
9 | The Schism Intensified: Regionalism Becomes an Issue, 1948-1949 | 119 |
10 | Decline of the West, 1950 | 127 |
11 | "We're Not Canning Tomatoes": The University of Texas at Austin, 1951-1955 | 139 |
12 | The Ten-Fingered Grasp of Reality in the Split Cultures of Fort Worth and Dallas, 1955-1962 | 157 |
13 | The River Flows On: North Carolina, 1962-1975 | 189 |
14 | Retirement | 201 |
Notes | 205 | |
Chronological Harris Bibliography | 221 | |
Index | 247 |
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Add Harwell Hamilton Harris, Lisa Germany's biography of Harwell Hamilton Harris (1903-1990) details the work of an architect who successfully merged the ideals of modern and California regionalist architecture. Harris was a sculptor who changed careers when he saw Wright's Hollyhock, Harwell Hamilton Harris to the inventory that you are selling on WonderClubX
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Add Harwell Hamilton Harris, Lisa Germany's biography of Harwell Hamilton Harris (1903-1990) details the work of an architect who successfully merged the ideals of modern and California regionalist architecture. Harris was a sculptor who changed careers when he saw Wright's Hollyhock, Harwell Hamilton Harris to your collection on WonderClub |