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| Acknowledgments | ||
| Theme: Gardens and the Passion for the Infinite | 1 | |
| Mirrors of Affectivity and Aesthetics: Gardens, Parks, and Landscapes as Seen by Theophile de Viau and la Fontaine | 7 | |
| Leonardo's Annunciation Hortus Conclusus and its Reflexive Intent | 25 | |
| The Gardens of Versailles and the Sublime | 47 | |
| Gardens in Stoppard, Austen, and Goethe | 59 | |
| Approaching Zen Gardens: A Phenomenological-Anthropological Approach | 69 | |
| Hatha Yoga: A Phenomenological Experience of Nature | 85 | |
| In Search of Paradise: Gardens in Medieval French and Persian Poetry | 93 | |
| The Chinese Attempt to Miniaturize the World in Gardens | 139 | |
| Aesthetics of Ancient Indian Sylvan Colonies and Gardens: Tagore's Reflexions | 151 | |
| Opera as a Mirror of the Infinite: The Triumph of the Human Spirit over Natural Forces in Riders to the Sea | 163 | |
| Late Modernity and La Villette: "Unsettling" the Object/Event Dialectic | 171 | |
| The Looking-Glass Self: Self-Objectivation through the Garden | 181 | |
| The Fourth Dimension of Art | 219 | |
| The Ruin Aesthetic: Constructing the Deconstructive Landscape | 227 | |
| Japanese Aesthetic Concepts and Phenomenological Inquiry | 243 | |
| The Wisdom of the Mirror in Cocteau's Orphee | 253 | |
| She Looks in the Mirror: The Ideological Shift of the Feminine Gaze in the Film The French Lieutenant's Woman | 269 | |
| The Phenomenological Flaneur and Robert Irwin's "Phenomenological Garden" at the Getty Center | 295 | |
| The Dream of Ascent and the Noise of Earth: Paradoxical Inclinations in Euripides's Bacchae, Shakespeare's The Tempest, and Stevens's "Of Modern Poetry" | 307 | |
| What Time Is It?: Subverting and Suppressing, Conflating and Compressing Time in Commodified Space and Architecture | 325 | |
| The Psychometaphor | 337 | |
| Index of Names | 347 |
| Price | Condition | Delivery | Seller | Action |
| $189.00 | Digital |
| WonderClub |
Neil Perron
reviewed Gardens and the Passion for the Infinite on July 12, 2014 Gardens and the Passion for the Infinite
This book is Husserl's historical breakthrough to transcendental phenomenology. It's kind of a work-in-progress, and it only scratches the surface of what the philosophy of transcendental constitution would become in H's later work. This is important, but I really, really, wish I had read Cartesian Meditations first, then back-tracked to Ideas I. It's so much easier to see what he was trying to do (and how he was doing it) from the hind-sight perspective of his much more fleshed-out transc. phenomenology of the late '20s.
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