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Kathleen Summers
reviewed Compendious Ecclesiastical History from the Earliest Period of Time on March 16, 2010
Compendious Ecclesiastical History from the Earliest Period of Time
This was outstanding. I especially liked this exchange:
KS: You should study the scores of composers you can trust—they are very few, by the way—who know what they are doing when they write staccato or portato, or legato; who know what the signs really mean, and also the meaning of a rest. Notation should be studied in particular scores; and only in those scores, otherwise you get totally confused.
Q: Would you recommend any in particular?
KS: My scores. I can’t think of any others I would want to recommend.
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