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Preface to the Original Edition | 9 | |
Preface to the Revised Edition | 10 | |
Introduction | 19 | |
Autumn | 47 | |
Conversion | 47 | |
Fragments | 48 | |
Above the Dock | 48 | |
The Man in the Crow's Nest | 48 | |
The Poet | 49 | |
Mana Aboda | 49 | |
The Embankment | 49 | |
Chrysanthemums | 50 | |
Beggar | 51 | |
Fragment | 52 | |
The Swan | 53 | |
The Tree | 54 | |
In a Station of the Metro | 54 | |
L'Art, 1910 | 54 | |
Alba | 54 | |
Gentildonna | 55 | |
April | 55 | |
Heather | 55 | |
The Return | 56 | |
Doria | 57 | |
Imerro | 57 | |
The Spring | 58 | |
The Coming of War: Actaeon | 59 | |
The Jewel Stairs' Grievance | 60 | |
Ts'ai Chi'h | 60 | |
Fan-Piece, for Her Imperial Lord | 60 | |
Liu Ch'e | 61 | |
Separation on the River Kiang | 61 | |
The River-Merchant's Wife: A Letter | 62 | |
I Hear an Army | 63 | |
Oread | 64 | |
Epigram | 64 | |
The Pool | 64 | |
Never More Will the Wind | 65 | |
Orchard | 66 | |
Hermes of the Ways | 67 | |
Heat | 69 | |
Pear Tree | 69 | |
Storm | 70 | |
Song | 71 | |
Evening | 72 | |
Sea Rose | 72 | |
Helen | 73 | |
Love That I Bear | 74 | |
Hymn | 75 | |
Lesbia | 76 | |
Epigrams | 77 | |
Poem | 78 | |
Captive | 78 | |
At the British Museum | 79 | |
Images | 80 | |
Evening | 81 | |
Aux Imagistes | 82 | |
The Red Wheelbarrow | 83 | |
The Locust Tree in Flower | 83 | |
Metric Figure | 84 | |
Nantucket | 84 | |
Flowers by the Sea | 85 | |
Poem | 85 | |
Daisy | 86 | |
Queen-Ann's-Lace | 87 | |
Iris | 88 | |
Dawn | 89 | |
To Waken an Old Lady | 89 | |
Portrait of a Lady | 90 | |
The Bull | 91 | |
El Hombre | 92 | |
A Sort of a Song | 92 | |
Bird | 93 | |
Landscape with the Fall of Icarus | 94 | |
Preludes | 95 | |
Morning at the Window | 98 | |
Wind and Silver | 99 | |
A Decade | 99 | |
Night Clouds | 99 | |
The Pond | 100 | |
A Lover | 100 | |
Meditation | 100 | |
A Year Passes | 100 | |
A Lady | 101 | |
Venus Transiens | 102 | |
Irradiations VII | 103 | |
Irradiations X | 103 | |
London Excursion: Station | 104 | |
In the Theatre | 105 | |
The Skaters | 105 | |
Cherry Robbers | 106 | |
A White Blossom | 106 | |
Green | 107 | |
On the Balcony | 107 | |
Trees in the Garden | 108 | |
The White Horse | 108 | |
Nothing to Save | 108 | |
November by the Sea | 109 | |
Aware | 110 | |
Brooding Grief | 110 | |
Gloire de Dijon | 111 | |
Autumn Rain | 112 | |
Swan | 113 | |
Fog | 114 | |
Lost | 114 | |
Monotone | 115 | |
The Harbor | 115 | |
Nocturne in a Deserted Brickyard | 116 | |
Under the Harvest Moon | 116 | |
To a Chameleon | 117 | |
To a Steam Roller | 117 | |
The Fish | 118 | |
No Swan So Fine | 120 | |
A Talisman | 121 | |
Nuances of a Theme by Williams | 122 | |
Valley Candle | 122 | |
Disillusionment of Ten O'Clock | 123 | |
Domination of Black | 124 | |
Farewell Without a Guitar | 125 | |
Thirteen Ways of Looking at a Blackbird | 125 | |
Study of Two Pears | 128 | |
Anecdote of the Jar | 129 | |
Curfew | 130 | |
Night | 130 | |
The Warning | 131 | |
Niagara | 131 | |
Triad | 131 | |
November Night | 131 | |
Midnight | 132 | |
Impression V | 133 | |
Buffalo Bill's | 134 | |
I(a | 134 | |
Ars Poetica | 135 | |
Imagism: A Selected Bibliography | 136 |
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