Woolf across Cultures Book

	Abbreviations	viii
	Preface	ix
	Introduction
	Virginia Woolf's Work in Russia: A Success Story of 2.5 Million Copies	1
I	Home Thoughts from Abroad
	An Improper Englishwoman: Woolf as a World Writer	17
	Virginia Woolf and Modernism: New Approaches	33
	Virginia Woolf in the U. S. A.	47
	The Activist Pens of Virginia Woolf and Betty Friedan	63
II	Translation
	"The meaning on the far side of language": Walter Benjamin's Translation Theory and Virginia Woolf's Modernism	79
	Mediating Virginia Woolf for Korean Readers	95
	Translation of Virginia Woolf in Korea	111
	Hermeneutic Lacunae and Ways of Dealing with them in Translating Mrs. Dalloway	121
	Holland and Virginia Woolf: The Reception of Woolf's Translated Work in the Netherlands	131
	Miyeko Kamiya's Reproduction of Modernist Writing Style: Kamiya, Virginia Woolf, and The Problem of the "Monstrous" Voice	149
III	Orlando on an International Stage
	Orlando and Literary Tradition in Japan: Sex Change, Dressing and Gender in Torikaebaya Monogatari	167
	Constantinople: Virginia Woolf at the Crossroads of the Imagination	179
	If Orlando Came to Portugal: Some Fantasies and Considerations	191
	A Study of the Concept of Androgyny in Virginia Woolf's Orlando	203
	The National and "the Other" in the Biography of the Creative Mind: Orlando	215
	Androgyny, Writing, and Place in Woolf's Orlando, and A Room of One's Own	227
IV	Reading Russian--Russian Readings
	"A railway accident": Virginia Woolf Translates Tolstoy	237
	Tolstoy and the World of English Literature: A Survey of Leo Tolstoy's Book Collection in Foreign Languages in the Estate Museum, Yasnaya Polyana	249
	The Cultural and Poetic Synthesis in Virginia Woolf's Texts	261
	The Issue of Self-Identification in Woolf's Mrs. Dalloway and Cunningham's The Hours	269
	The Play in the Sky of the Mind: Dialogue, "the Tchekov method," and Between the Acts	277
	Notes on Contributors	291
	Index	297