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Foreword | ||
A Young Man on Horseback | 1 | |
The Rembrandt Research Project | 6 | |
The Master's Reputation | 13 | |
Questions of Identity | 21 | |
Connoisseurship | 30 | |
Scientific Analysis | 37 | |
Rembrandt's School | 41 | |
Restorations | 48 | |
Rudiments and Documents | 53 | |
Scholars' Mistakes | 56 | |
A Team and Its Critics | 60 | |
Monday Mornings | 71 | |
Handling the News of Rejection | 77 | |
The Case of The Polish Rider | 83 | |
A Matter of Emotion | 97 | |
The Artist's Image and the Artist's Time | 101 | |
Unanswered Questions | 109 | |
Postscript | 115 | |
Notes | 117 | |
Bibliography | 131 | |
List of Illustrations | 135 | |
Index | 137 |
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Add Responses to Rembrandt, In 1910, Henry Clay Frick purchased Rembrandt van Rijn's The Polish Rider for his private collection. Ever since, the painting has hung - undisturbed and uncontested - on the wall of Frick's Fifth Avenue mansion in New York City. There, year in and year o, Responses to Rembrandt to the inventory that you are selling on WonderClubX
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Add Responses to Rembrandt, In 1910, Henry Clay Frick purchased Rembrandt van Rijn's The Polish Rider for his private collection. Ever since, the painting has hung - undisturbed and uncontested - on the wall of Frick's Fifth Avenue mansion in New York City. There, year in and year o, Responses to Rembrandt to your collection on WonderClub |