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Notes on Contributors | ||
Introduction | ||
Acknowledgments | ||
Questioning Yeats: Paul Muldoon's "7, Middagh Street" | 3 | |
Yeats, Muldoon, and Heroic History | 21 | |
Contrasting Landscapes: John Hewitt's Rural Vision and Yeats's Irish World | 39 | |
"No saint or hero ... / Brings dangerous tokens to the new era": Derek Mahon and Tess Gallagher's Revisions of Yeats's "The Magi" | 47 | |
A Modest Refusal: Yeats, MacNeice, and Irish Poetry | 71 | |
Interview with Desmond Egan | 89 | |
The Little Red Fox, Emblem of the Irish Peasant in Poems by Yeats, Tynan, and Ni Dhomhnaill | 113 | |
Re-envisioning Yeats's "The Second Coming": Desmond O'Grady and the Charles River | 135 | |
From Yeats's "Great Wheel" to O'Siadhail's "Image Wheel" | 149 | |
Medbh McGuckian: Imagery Wrought to Its Uttermost | 165 | |
Eavan Boland's Journey with the Muse | 179 | |
Pastoral Nostalgia and the Poetry of W. B. Yeats and Seamus Heaney | 195 | |
Time Against Time: Myth in the Poetry of Yeats and Heaney | 203 | |
Detour to the "Alltombing Womb": Amiri Baraka's Assault on Yeats's Muse | 219 | |
W. B. Yeats's Ireland and James Wright's Ohio | 237 | |
An Influence Survived: Roethke and Yeats | 253 | |
Self-Delighting Souls, Self-Enclosed Egos: Yeats and Galway Kinnell | 265 | |
Angels in the Bone Shop | 281 | |
Index | 305 |
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