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The photographs that fill the endpapers of this 50-year retrospective show Larry Rivers between takes of Pull My Daisy with Jack Kerouac and Allen Ginsberg; then leaning against a car with a Speedo-wearing Frank O'Hara; posing thoughtfully with Kenneth Koch; and playing sax at the Blue Bird. Facsimiles of creased and dog-eared review clippings include midcentury New York Times, Herald Tribune and ArtNews raves, and a 1997 Times piece crediting Rivers with bringing back "handmade" art. A soft-edged aesthetic permeates his work, never contradicting the symmetry and glamour that led to the burst of late twentieth century and early twenty-first century high-fashion illustration that closes the book.
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This item is in your CollectionLarry Rivers: Painting and Drawings, 1951-2001 May 3 - June 4,2005
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Add Larry Rivers: Painting and Drawings, 1951-2001 May 3 - June 4,2005, The photographs that fill the endpapers of this 50-year retrospective show Larry Rivers between takes of Pull My Daisy with Jack Kerouac and Allen Ginsberg; then leaning against a car with a Speedo-wearing Frank O'Hara; posing thoughtfully with Ken, Larry Rivers: Painting and Drawings, 1951-2001 May 3 - June 4,2005 to the inventory that you are selling on WonderClubX
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Add Larry Rivers: Painting and Drawings, 1951-2001 May 3 - June 4,2005, The photographs that fill the endpapers of this 50-year retrospective show Larry Rivers between takes of Pull My Daisy with Jack Kerouac and Allen Ginsberg; then leaning against a car with a Speedo-wearing Frank O'Hara; posing thoughtfully with Ken, Larry Rivers: Painting and Drawings, 1951-2001 May 3 - June 4,2005 to your collection on WonderClub |