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Book Categories |
Foreword | ||
Introduction | ||
1 | Assigning Places: The Function of Introductory Composition as a Cultural Discourse | 1 |
2 | Toward a Materialist Rhetoric: Rewriting Hegemonic Discourses | 19 |
3 | Composing a Post-Sexist Rhetoric: Introductory Writing Instruction as a Cultural Production | 37 |
4 | Radical Pedagogy and Student Resistance: Can We Fight the Power? | 51 |
5 | Teaching the Dialectics of "Objective" Discourse: A Progressive Approach to Business and Professional Writing | 63 |
6 | Science and Self-Expression: The Cognitive Turn in Historical Retrospect | 75 |
7 | Pragmatism, Politics, and Social Epistemology in Composition Studies | 95 |
8 | Learning to Explain the "Inexplicable": Chronicle of an Introductory Academic Writing Course | 117 |
9 | Theology and Composition: Inscribing the Absent Other | 139 |
Bibliography | 161 | |
Index | 169 |
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Add Composition as a cultural practice, France presents a comprehensive critique of composition theory and pedagogy from a leftist perspective. He contests the notion that composition courses have no content and are only skills courses, devoid of intellectual suppositions and cultural premises., Composition as a cultural practice to the inventory that you are selling on WonderClubX
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Add Composition as a cultural practice, France presents a comprehensive critique of composition theory and pedagogy from a leftist perspective. He contests the notion that composition courses have no content and are only skills courses, devoid of intellectual suppositions and cultural premises., Composition as a cultural practice to your collection on WonderClub |