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Acknowledgments | ||
Introduction | ||
Ch. 1 | The History of Voice and Speech Training for the American Actor | 1 |
Ch. 2 | The Vocal Director and the Language of the Theatre | 28 |
Ch. 3 | The Great White Hope: A Model for Text Analysis | 43 |
Ch. 4 | The Vocal Director as a Member of the Production Team | 55 |
Ch. 5 | The Vocal Director and the Actor | 74 |
Ch. 6 | The Special Vocal Demands of the Stage Actor | 96 |
Ch. 7 | Final Thoughts | 108 |
Index | 113 |
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