Sold Out
Book Categories |
Much has been written about the identity of the sitter in this portrait. In 1568, Vasari noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi. In 1612, however, the name of Cosimo i de' Medici was attached to a description of the portrait. In this volume, Cropper argues that the subject of the painting is indeed Francesco Guardi. She discusses not only the specific determination of the sitter but the tools and methods used in general for establishing the people and places portrayed in works of art.
Login|Complaints|Blog|Games|Digital Media|Souls|Obituary|Contact Us|FAQ
CAN'T FIND WHAT YOU'RE LOOKING FOR? CLICK HERE!!! X
You must be logged in to add to WishlistX
This item is in your Wish ListX
This item is in your CollectionPontormo : Portrait of a Halberdier
X
This Item is in Your InventoryPontormo : Portrait of a Halberdier
X
You must be logged in to review the productsX
X
X
Add Pontormo : Portrait of a Halberdier, Much has been written about the identity of the sitter in this portrait. In 1568, Vasari noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi. In 1612, however, the name of Cosimo i de' Medici was attached to a description of , Pontormo : Portrait of a Halberdier to the inventory that you are selling on WonderClubX
X
Add Pontormo : Portrait of a Halberdier, Much has been written about the identity of the sitter in this portrait. In 1568, Vasari noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi. In 1612, however, the name of Cosimo i de' Medici was attached to a description of , Pontormo : Portrait of a Halberdier to your collection on WonderClub |