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Acknowledgments | 1 | |
Introduction | 3 | |
Methodology | 4 | |
The Practice of Raising Carved Poles | 5 | |
Defining the Totem Pole | 5 | |
Ch. 1 | Totem Poles and Native Culture | |
The People and their Environment | 9 | |
The Sea and the Land | 10 | |
The Tribes | 11 | |
Tribal Map | 14 | |
The Villages | 16 | |
House and House Names | 18 | |
The Antiquity of Totem Poles | 19 | |
Ch. II | A Forest of Poles | 25 |
The Prototype Poles | 26 | |
The Subject Matter on Poles | 45 | |
Ch. III | Stylistic Characteristics | |
The Haida Style | 65 | |
The Tsimshian Style | 71 | |
The Tlingit Style | 74 | |
The Kwakiutl Styles | 76 | |
The Bella Coola Style | 82 | |
West Coast Style | 84 | |
Ch. IV | The Social Role of Totem Poles | 87 |
The Potlatching System | 88 | |
Potlatching Involving Totem Poles | 90 | |
Raising a Pole | 91 | |
The Host's Role in Pole Raising | 95 | |
The Wood Carver's Role | 98 | |
The Carver's Approach to the Poles | 100 | |
Ch. V | Triumph and Tragedy: An Era Vanishes | 163 |
The Assaults on the Culture | 166 | |
Banning the Potlatch | 167 | |
Conservative Holdouts | 167 | |
The Totem Pole Exporting Period | 168 | |
Ch. VI | New Poles for Old | 171 |
The Awakening | 171 | |
The Beginning of Salvage and Restoration Programs | 173 | |
Implementation of Training Programs | 176 | |
The New Indian Act | 178 | |
New Poles, New Directions | 179 | |
References and Suggested Reading | 183 | |
Index | 185 |
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