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Foreword: Thoughts about Stanislavsky and Acting Today Robert Blumenfeld xi
Preface: The Need for This Book xvii
Acknowledgments xxi
Acting and Current Working Conditions 1
The Stanislavsky System Explored 3
Why Rehearse? 19
Commitment and Practicing Alone 19
Rehearsing Scenes for Class 28
Film and Television: The End of Rehearsal 31
Television Commercials 35
Soap Opera and Nighttime Television Drama 36
The Situation Comedy (Sitcom) 41
Rehearsing on Your Own 49
Introduction Developing the Process 51
Impulses and Instincts 59
Concentration and Relaxation 62
Substitution and Endowment 65
Step 1: How to Read the Script 69
Finding the Themes 76
Finding the Playwright's Music 77
Step 2: Developing the Relationships 81
First Readings 85
Revealing the Subtext 92
Step 3: Paying Attention to the Inner Objects 95
Step 4: Finding the Objective 103
Step 5: Following Up on Place and Circumstances:The Here and Now 127
Place 127
Circumstances 134
Step 6: Planning the Activity 137
Step 7: Delving into the Prior Relationship 147
Step 8: The Character Chart, Part 1: Writing a Preliminary Character Background 153
Introduction 153
Background Questions 156
Step 9: The Character Chart, Part 2: Deciding on the Character Traits 169
More about Negative Character Traits 174
Two Exercises 178
Step 10: The Character Chart, Part 3: Life Drives 181
Step 11: Becoming the Character 187
Essences 189
Complete Character Charts 201
The Steps Condensed When You Have No Time: My Experience in the Media 207
The Ideal and the Practical: Working in Film and Television 209
The Director and the Camera 229
Camera Takes and How to Deal With Them 229
Working with Directors: Translating the Director's Language 238
Chapter 17 Auditions 247
Plays 250
Film 252
Television 255
Prepared Monologues 257
A Parting Word 263
Glossary of Acting Terms 265
Bibliography 269
Index of People 271
Index of Films and Television Programs 275
Index of Plays 277
About the Author and Collaborator 279
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