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Acknowledgments | ||
Introduction | ||
1 | The Artist Looks at the Machine: Whitman, Sheeler, and American Modernism | 3 |
2 | The Camera and the Magic of Self-transformation in Buster Keaton | 28 |
3 | Lewis Hine and the Art of the Commonplace | 42 |
4 | Don't Think of It as Art: The Legacy of Let Us Now Praise Famous Men | 57 |
5 | Weegee's Voyeurism and the Mastery of Urban Disorder | 71 |
6 | Documentary and the Seductions of Beauty: Salgado's Workers | 97 |
7 | Documentary Film and the Power of Interrogation: Kopple's American Dream and Moore's Roger and Me | 113 |
8 | Writing Posthistorically: Krazy Kat, Maus, and the Contemporary Fiction Cartoon | 129 |
9 | Understanding Disneyland: American Mass Culture and the European Gaze | 147 |
10 | Technology, the Imagination, Virtual Reality, and What's Left of Society | 160 |
Notes | 175 | |
Works Cited | 185 | |
Index | 195 |
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