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Editors' Note | ||
Acknowledgments | ||
Dialect | 3 | |
China Camp, California | 5 | |
Passports | 7 | |
Generations | 10 | |
The Years | 12 | |
In the Chips | 13 | |
Gallery | 15 | |
The Letter | 17 | |
Exile | 18 | |
Diasporadic | 21 | |
On Forgettings | 23 | |
Flood Plain: The Right-of-Way | 25 | |
And Wake Up Where? | 27 | |
Political or Not, Here Comes that Poem | 29 | |
Changing the Name to Ochester | 31 | |
Jose Canseco Breks Our Hearts Again | 35 | |
Poem for Pancho Gonzales | 36 | |
Running to America | 37 | |
City of Angels | 38 | |
The Emigrant | 39 | |
Willie and the Train | 40 | |
Distance | 41 | |
Mi Vida: Wings of Fright | 42 | |
Thieves of Light | 43 | |
Come to Find Out | 46 | |
Poem for a Vietnamese Student | 48 | |
Variations for Hendrix and Vietnam | 49 | |
At the Bar | 51 | |
Years of Exile | 54 | |
California | 56 | |
Still Kicking in America | 58 | |
Persona | 59 | |
Farragut North | 61 | |
In the Twilight Zone All I Know Is the Commercials | 62 | |
Dust and Broughtonia | 64 | |
Two Sounds | 65 | |
Under the Freeway in El Paso | 66 | |
Todorov at Ellis Island | 68 | |
Dixie | 69 | |
The Extinct Homeland - A Conversation with Czeslaw Milosz | 75 | |
13th Arrondissement Blues | 78 | |
La Lupe | 80 | |
Rafael Hernandez | 83 | |
To Be Sung on the Fourth of July | 86 | |
New York Public Library | 89 | |
Public School No. 18, Paterson, New Jersey | 91 | |
Whereabouts | 93 | |
Reading Kerouac, Yorkshire | 95 | |
King of Wounds | 96 | |
Easter, Circa 1960 | 98 | |
Salt Longing | 99 | |
History Class | 100 | |
Death of a War Hero | 104 | |
Mercy and the Brazos River | 108 | |
Inventory | 110 | |
The Pallor of Survival | 112 | |
Colors of a Free Life | 114 | |
Guide to the Tokyo Subway | 116 | |
Letter to Mirta Yanez | 120 | |
Coral Way, Near the Roads | 122 | |
The Refugee | 123 | |
Homecoming | 127 | |
From the Book of Lamentations | 128 | |
Loose Sugar | 129 | |
Red Fingernails | 130 | |
Phonograph | 131 | |
My Father Learns to Speak (Again) | 133 | |
The Cloud of Unknowing | 135 | |
Exile | 137 | |
Digging Up Peonies | 138 | |
Book of Ruth | 140 | |
Coaching My Father on His Temporarily Moving into My Old Bedroom | 142 | |
Love Penned Red | 143 | |
Lost and Found | 144 | |
Wind-Chill Factor | 145 | |
Waiting on Family Court | 147 | |
Jew's Harp | 148 | |
For Borscht | 149 | |
Yes | 151 | |
The Star-Spangled Banner | 153 | |
Translating My Parents | 156 | |
Arturo | 158 | |
Lenox Hill | 160 | |
My Father Recounts a Story from His Youth | 163 | |
Jasmine | 166 | |
Dislocation | 169 | |
How to Look West from Mount Pleasant, Utah | 172 | |
Heat Wave: Liberty, Missouri | 175 | |
You, If No One Else | 178 | |
A Note on My Son's Face | 180 | |
Photo, 1945 | 183 | |
Auger | 185 | |
Ghost Passenger, Day and Night | 187 | |
Thoreau | 189 | |
The Minks | 190 | |
Postcards from Florida | 192 | |
Vanity of the Atlantic Ocean | 194 | |
For the Old Rider at the Mall in Sioux Falls | 196 | |
Mexican | 198 | |
To the Bougainvillaea | 201 | |
The Patriot | 202 | |
In Heavy Fog Outside Bishopville, South Carolina | 203 | |
Underwater | 204 | |
Cross-Cultural Generes | 205 | |
Seizure | 206 | |
Shoyn Fergessin: "I've Forgotten" in Yiddish | 207 | |
Prodigal | 208 | |
Barbie, Madame Alexander, Bronislawa Wajs | 210 | |
American Suite for a Lost Daughter | 213 | |
Scoured | 216 | |
The Estrangement of Luis Morone | 217 | |
For the Sake of Tiger Lilies | 219 | |
Lamentation Canzone | 220 | |
On Being Told I Don't Speak Like a Black Person | 224 | |
El Balserito | 227 | |
Ninety-one in the Shade | 228 | |
35-mm Clips | 233 | |
The End of Soup Kitchens | 235 | |
Poem at an Unmarked Grave | 237 | |
Portrait of a Couple at Century's End | 238 | |
Towns | 240 | |
Four Clouds Like the Irish in Memory | 242 | |
A Northern Darkness | 243 | |
Absence | 247 | |
For Someone Considering Death | 249 | |
Dwarf with Violin, Government Center Station | 250 | |
Postcards to Columbus | 251 | |
Postmodernism | 252 | |
Survivor's Song | 253 | |
Credo | 254 | |
Questions for Ecclesiastes | 255 | |
No Living in Parked Vehicles | 258 | |
Soul | 259 | |
Seven & Seven | 261 | |
Breaking and Entering | 262 | |
Joint Venture | 263 | |
Manifesto | 265 | |
How the Streets in Front of Kaufmann's Department Store Tell Me I Am Home | 267 | |
A Change of Place | 269 | |
Nod | 270 | |
Dark Songs: Slave House and Synagogue | 272 | |
July 4th | 281 | |
Internal Exile | 285 | |
Bodwin's Madmen | 286 | |
Autobiography | 287 | |
Confession | 291 | |
Ang Tunay Na Lalaki Stalks the Streets of New York | 293 | |
Mask | 295 | |
The Reappeared | 297 | |
In California | 298 | |
East River Prison Barge | 300 | |
The Sirens of Los Angeles | 301 | |
Beach Rogue | 303 | |
Plus Shipping | 304 | |
David's Rumor | 306 | |
Big Thicket Requiem | 310 | |
Rural Particles | 315 | |
Symmetry | 316 | |
Teshuvah | 317 | |
Max Beckmann & Quappi in Blue | 318 | |
Green Ash, Red Maple, Black Gum | 321 | |
Comcomly's Skull | 322 | |
Looking for Level Green | 324 | |
Two Uncertainties | 325 | |
What Hurts | 326 | |
Moment | 327 | |
Walking Back | 328 | |
A Flock of Phantom Limbs Gather at the Border | 329 | |
Elegy Written on a Blue Cement Gravestone (To You, the Archeologist) | 331 | |
Poem from Across the Country | 333 | |
Miami | 335 | |
How It Begins - How It Ends | 336 | |
Contributors' Notes | 337 | |
Permissions | 357 | |
Index | 365 |
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