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Preface | ||
Introduction | 1 | |
The History Lesson: Authenticity and Anachronism in August Wilson's Plays | 9 | |
August Wilson's Burden: The Function of Neoclassical Jazz | 21 | |
Speaking of Ma Rainey / Talking about the Blues | 51 | |
Filling the Time: Reading History in the Drama of August Wilson | 67 | |
Boundaries, Logistics, and Identity: The Property of Metaphor in Fences and Joe Turners' Come and Gone | 86 | |
Ghosts on the Piano: August Wilson and the Representation of Black American History | 105 | |
American History as "Loud Talking" in Two Trains Running | 116 | |
Romare Bearden, August Wilson, and the Traditions of African Performance | 133 | |
The Ground on Which I Stand: August Wilson's Perspective on African American Women | 150 | |
August Wilson's Women | 165 | |
August Wilson's Gender Lesson | 183 | |
I Want a Black Director | 200 | |
"The Crookeds with the Straights": Fences, Race, and the Politics of Adaptation | 205 | |
Annotated Bibliography of Works by and about August Wilson | 230 | |
Notes on Contributors | 267 | |
Index to the Plays | 269 |
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Add May All Your Fences Have Gates: Essays on the Drama of August Wilson, This stimulating collection of essays, the first comprehensive critical examination of the work of two-time Pulitzer Prize-winning playwright August Wilson, deals individually with his five major plays and also addresses issues crucial for the role of his, May All Your Fences Have Gates: Essays on the Drama of August Wilson to the inventory that you are selling on WonderClubX
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Add May All Your Fences Have Gates: Essays on the Drama of August Wilson, This stimulating collection of essays, the first comprehensive critical examination of the work of two-time Pulitzer Prize-winning playwright August Wilson, deals individually with his five major plays and also addresses issues crucial for the role of his, May All Your Fences Have Gates: Essays on the Drama of August Wilson to your collection on WonderClub |