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Book Categories |
Editor's Acknowledgments | ||
Introduction | ||
List of Contributors | ||
1 | Assuming Gender | |
Gender Impersonation Onstage: Destroying or Maintaining the Mirror of Gender Roles? | 3 | |
Mimesis and Travesty in Iranian Traditional Theatre | 14 | |
Lady and the Tramp: Drag Differentials in the Progressive Era | 26 | |
The "Magic If": Conflicting Performances of Gender in the Takarazuka Revue of Japan | 46 | |
Unveiling the Word: Science and Narrative in Transsexual Striptease | 68 | |
Between Difference and Indifference: Marianne Hoppe in Robert Wilson's Lear | 86 | |
2 | Revising Women | |
Les Filles Errantes: Emancipated Women at the Comedie-Italienne, 1683-1691 | 101 | |
Women in the Victorian Theatre: Images, Illusions, Realities | 117 | |
Shotgun Wedlock: Annie Oakley's Power Politics in the Wild West | 141 | |
Revolutionizing Galatea: Iconic Woman in Early Soviet Culture | 158 | |
The Orient, the Feminine: The Use of Interculturalism by the Theatre du Soleil | 183 | |
3 | Dancing Attitudes | |
Gender Bending in Balinese Performance | 195 | |
Tradition, Challenge, and the Backlash: Gender Education through Dance | 223 | |
Dance History and Feminist Theory: Reconsidering Isadora Duncan and the Male Gaze | 239 | |
Speech and Sexual Difference in Mary Wigman's Dance Aesthetic | 260 | |
4 | Voicing Experience | |
Freeing Up: Politics, Gender, and Theatrical Form in the Anglophone Caribbean | 281 | |
Gender is Attitude | 299 | |
Kate Bornstein's Gender and Genre Bending | 311 | |
The Theatre of Sexual Initiation | 324 | |
Index | 337 |
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