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Book Categories |
Preface | ||
I | The View from England | |
Revolution in Language: Burke's Representation of Linguistic Terror | 3 | |
Blake, Violence, and Visionary Politics | 24 | |
History and Autobiography: The French Revolution in Wordsworth's Prelude | 41 | |
"Such a Figure Drew Priam's Curtains!": Carlyle's Epic History of the Revolution | 63 | |
II | Crossing the Channel: Revolutionary France in French Mirrors | |
Michelet and the French Revolution | 81 | |
Icon and Symbol: The Historical Figure Called Maximilien Robespierre | 106 | |
Representing the Body Politic: Fictions of the State | 123 | |
Performing Arts: Theatricality and the Terror | 135 | |
The Rights and Wrongs of Woman: The Defeat of Feminist Rhetoric by Revolutionary Allegory | 150 | |
Swordplay: Jacques-Louis David's Painting of Le Peletier de Saint-Fargeau on His Deathbed | 169 | |
Obscene Humor in French Revolutionary Caricature: Jacques-Louis David's The Army of Jugs and The English Government | 192 | |
III | Crossing the Border: The French Revolution in the German Imagination | |
Crossing the Border: The French Revolution in the German Literary Imagination | 213 | |
IV | Crossing the Ocean: The French Revolution in the Caribbean Imagination | |
Haiti's Tragic Overture: (Mis)Representations of the Haitian Revolution in World Drama (1796-1975) | 237 | |
Carpentier's Enlightened Revolution, Goya's Sleep of Reason | 261 | |
Notes on Contributors | 277 | |
Index | 279 |
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