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Acknowledgments | ix | |
Introduction | 1 | |
1 | "Not Theory...But a Sense of Theory": The Superaddressee and the Contexts of Eden | 9 |
2 | Aesopian Predicaments, Or Biting My Tongue As I Write: A Defense of Rhetorical Ambiguity | 31 |
3 | Voice Reprised: Three Etudes for a Dialogic Understanding | 53 |
4 | Sounding the Other Who Speaks In Me: Toward a Dialogic Understanding of Imitation | 73 |
5 | Pictures at an Exhibition: Bakhtin, Composition, and the Problem of the Outside | 95 |
6 | Dialogue and Critique: Bakhtin and the Cultural Studies Writing Classroom | 125 |
Endnotes | 149 | |
Works Cited | 159 | |
Index | 168 | |
About the Author | 172 |
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Add Saying and Silence: Listening to Composition with Bakhtin, In composition studies for the last two or three decades, Bakhtin has been especially influential through his theories of language, dialogue, and genre. His work is required reading in upper division and graduate rhetoric courses and is included in the re, Saying and Silence: Listening to Composition with Bakhtin to the inventory that you are selling on WonderClubX
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Add Saying and Silence: Listening to Composition with Bakhtin, In composition studies for the last two or three decades, Bakhtin has been especially influential through his theories of language, dialogue, and genre. His work is required reading in upper division and graduate rhetoric courses and is included in the re, Saying and Silence: Listening to Composition with Bakhtin to your collection on WonderClub |