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Acknowledgments | ||
Foreword | ||
Introduction to the New Edition | ||
Taking Issues | ||
1 | "Properly Speaking": The Need for Plain Talk about Folk Art | 13 |
2 | The Politics of the Past in American Folk Art History | 27 |
Folk Painting Re-Examined | ||
3 | "A Correct Likeness": Culture and Commerce in Nineteenth-Century Rural America | 53 |
4 | "Finished to the Utmost Nicety": Plain Portraits in America, 1760-1860 | 85 |
Folk Art in Context | ||
5 | The House on Penn Street: Creativity and Conflict in Folk Art | 123 |
6 | The Folk Assemblage of Autumn: Tradition and Creativity in Halloween Folk Art | 151 |
7 | Storing Contexts: The Brooklyn Giglio as Folk Art | 171 |
Consequences of Collection | ||
8 | The Role of Mexicano Artists and the Anglo Elite in the Emergence of a Contemporary Folk Art | 195 |
9 | "Fame Don't Make the Sun Any Cooler": Folk Artists and the Marketplace | 225 |
10 | Art by Fiat, and Other Dilemmas of Cross-Cultural Collecting | 243 |
Afterword | ||
11 | The Idea of Folk Art | 269 |
Contributors | 275 | |
Index | 277 |
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Add Folk Art and Art Worlds, Eleven essays explore the changing face of folk art in its different context of folk art worlds. The contributors examine who coined and developed the term folk art, and the consequences of naming, collecting, and selling folk art., Folk Art and Art Worlds to the inventory that you are selling on WonderClubX
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Add Folk Art and Art Worlds, Eleven essays explore the changing face of folk art in its different context of folk art worlds. The contributors examine who coined and developed the term folk art, and the consequences of naming, collecting, and selling folk art., Folk Art and Art Worlds to your collection on WonderClub |