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State, Stage, Language: The Production of the Subject Book

State, Stage, Language: The Production of the Subject
State, Stage, Language: The Production of the Subject, Juan Carlos Rodriguez's project is to analyze the ideological unconscious that always exists, without becoming explicit, in any discursive field. Ideology is unconscious because we live it without noticing it and we fail to notice it because it is visible, State, Stage, Language: The Production of the Subject has a rating of 3 stars
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State, Stage, Language: The Production of the Subject, Juan Carlos Rodriguez's project is to analyze the ideological unconscious that always exists, without becoming explicit, in any discursive field. Ideology is unconscious because we live it without noticing it and we fail to notice it because it is visible, State, Stage, Language: The Production of the Subject
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  • State, Stage, Language: The Production of the Subject
  • Written by author Juan Carlos Rodriguez
  • Published by University of Delaware Press, December 2008
  • Juan Carlos Rodriguez's project is to analyze the ideological unconscious that always exists, without becoming explicit, in any discursive field. Ideology is unconscious because we live it without noticing it and we fail to notice it because it is visible
  • Juan Carlos Rodriguez's project is to analyze the ideological unconscious that always exists, without becoming explicit, in any discursive field. Ideology is unconscious because we live it without noticing it and we fail to notice it because it is visible
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Authors

Introduction The Critique of Critical Criticism 1

Criticism in the Boudoir 3

Formalism or Historicism: An Archeological Fallacy 23

Pt. 1 The Scene of Language / Language of the Scene 47

The Scene of Language. Ideology and Theoretical Linguistics (from Saussure to Chomsky) 49

Language of the Scene. The Arbiter Scene / Arbiter State. (Notes on the development of the theater from the 18th century to the present day) 107

Pt. 2 Mythologies (or On Current Poetic Practices) 165

The Myth of Pure Poetry: Mallarine 167

The Myth of Moral Poetry: Machado in the Mirror 185

The Myth of the Poetry of the Avant-garde: The Generation of 1927. The Poetry of Misery, The Misery of Poetry 201

The Myth of Committed Poetry: Rafael Alberti 233

Pt. 3 Three Notes on Narrative Ideology 267

Structure and Superstructure in Pio Baroja 269

Sad, Solitary and Final: The Long Goodbye or The Novel of Scars 298

Walpurgis Night: From Stoker to Borges 322

Index 355


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State, Stage, Language: The Production of the Subject, Juan Carlos Rodriguez's project is to analyze the ideological unconscious that always exists, without becoming explicit, in any discursive field. Ideology is unconscious because we live it without noticing it and we fail to notice it because it is visible, State, Stage, Language: The Production of the Subject

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State, Stage, Language: The Production of the Subject, Juan Carlos Rodriguez's project is to analyze the ideological unconscious that always exists, without becoming explicit, in any discursive field. Ideology is unconscious because we live it without noticing it and we fail to notice it because it is visible, State, Stage, Language: The Production of the Subject

State, Stage, Language: The Production of the Subject

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State, Stage, Language: The Production of the Subject, Juan Carlos Rodriguez's project is to analyze the ideological unconscious that always exists, without becoming explicit, in any discursive field. Ideology is unconscious because we live it without noticing it and we fail to notice it because it is visible, State, Stage, Language: The Production of the Subject

State, Stage, Language: The Production of the Subject

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