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Introduction The Critique of Critical Criticism 1
Criticism in the Boudoir 3
Formalism or Historicism: An Archeological Fallacy 23
Pt. 1 The Scene of Language / Language of the Scene 47
The Scene of Language. Ideology and Theoretical Linguistics (from Saussure to Chomsky) 49
Language of the Scene. The Arbiter Scene / Arbiter State. (Notes on the development of the theater from the 18th century to the present day) 107
Pt. 2 Mythologies (or On Current Poetic Practices) 165
The Myth of Pure Poetry: Mallarine 167
The Myth of Moral Poetry: Machado in the Mirror 185
The Myth of the Poetry of the Avant-garde: The Generation of 1927. The Poetry of Misery, The Misery of Poetry 201
The Myth of Committed Poetry: Rafael Alberti 233
Pt. 3 Three Notes on Narrative Ideology 267
Structure and Superstructure in Pio Baroja 269
Sad, Solitary and Final: The Long Goodbye or The Novel of Scars 298
Walpurgis Night: From Stoker to Borges 322
Index 355
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Add State, Stage, Language: The Production of the Subject, Juan Carlos Rodriguez's project is to analyze the ideological unconscious that always exists, without becoming explicit, in any discursive field. Ideology is unconscious because we live it without noticing it and we fail to notice it because it is visible, State, Stage, Language: The Production of the Subject to the inventory that you are selling on WonderClubX
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Add State, Stage, Language: The Production of the Subject, Juan Carlos Rodriguez's project is to analyze the ideological unconscious that always exists, without becoming explicit, in any discursive field. Ideology is unconscious because we live it without noticing it and we fail to notice it because it is visible, State, Stage, Language: The Production of the Subject to your collection on WonderClub |