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Introduction: Women, Work, and Survival 3
Chapter 1 Work, Art, and Dakota Subsistence 17
Chapter 2 The Fur Trade and the Treaty of 1837 39
Chapter 3 Gender and Resistance 67
Chapter 4 Separate Survival 93
Chapter 5 Dakota Tradition at Santee and Flandreau 119
Chapter 6 Work, Gender, and the Dakota Church 143
Epilogue Indian Renaissance and Dakota Women's Art 171
Acknowledgments 183
Notes 189
Bibliography 211
Index 225
Illustration Credits 239
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Add Dakota Women's Work: Creativity, Culture, and Exile, A tiny pair of beaded deerskin moccasins, given to a baby in 1913, provides the starting point for this thoughtful examination of the work of Dakota women. Mary Eastman Faribault, born in Minnesota, made them almost four decades after the U.S.-Dakota War , Dakota Women's Work: Creativity, Culture, and Exile to the inventory that you are selling on WonderClubX
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Add Dakota Women's Work: Creativity, Culture, and Exile, A tiny pair of beaded deerskin moccasins, given to a baby in 1913, provides the starting point for this thoughtful examination of the work of Dakota women. Mary Eastman Faribault, born in Minnesota, made them almost four decades after the U.S.-Dakota War , Dakota Women's Work: Creativity, Culture, and Exile to your collection on WonderClub |