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Acknowledgments | ||
Introduction | 1 | |
1 | The Prose Poem as a Decadent Genre | 9 |
2 | "Out on a Limn": The Prose Poems Tradition of Subversion | 61 |
3 | William Carlos Williams's Kora in Hell: A Genre of Improvisation | 96 |
4 | Gertrude Stein's Tender Buttons: Beyond Description: A New Domestic Language | 137 |
5 | John Ashbery's Three Poems: Prose and the Poetics of Inclusion | 168 |
Conclusion | 198 | |
Notes | 203 | |
Works Cited | 233 | |
Index | 241 |
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Add A tradition of subversion, From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in Anglo-Americ, A tradition of subversion to the inventory that you are selling on WonderClubX
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Add A tradition of subversion, From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in Anglo-Americ, A tradition of subversion to your collection on WonderClub |