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Plates and Figures | ||
Acknowledgments | ||
Preface | ||
Ch. 1 | "She, the Beautiful Fountain, Dances to the Wind": Introduction | 1 |
Ch. 2 | "Tell Them the Dancer Has Come": An Overview of Dance in Zimbabwean Society | 17 |
Ch. 3 | "I, the Dancer of the South, Pupil of Mountain Shadow": The Aesthetic and Historical Dimensions of the Jerusarema Dance | 39 |
Ch. 4 | "She Dances from the Wild Center of the Earth": The Historical and Aesthetic Dimensions of the Muchongoyo Dance | 65 |
Ch. 5 | "I Am All Movements, I Am the Caterpillar": Rhythm as Text and Structure in Zimbabwean Dance | 81 |
Ch. 6 | "Like This We Dance to the Limits of the Universe": Conclusion | 103 |
Glossary | 129 | |
Bibliography | 135 |
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Add Zimbabwe Dance: Rhythmic Forces, Ancestral Voices, an Aesthetic Analysis, In Zimbabwe Dance, Dr. Welsh Asante's interviews with the keepers of one nation's oral history have yielded a harvest of information on two specific ethnic groups, the Ndebele and the Shona, and their traditional dances, the Muchongoyo and the Jerusarema., Zimbabwe Dance: Rhythmic Forces, Ancestral Voices, an Aesthetic Analysis to the inventory that you are selling on WonderClubX
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Add Zimbabwe Dance: Rhythmic Forces, Ancestral Voices, an Aesthetic Analysis, In Zimbabwe Dance, Dr. Welsh Asante's interviews with the keepers of one nation's oral history have yielded a harvest of information on two specific ethnic groups, the Ndebele and the Shona, and their traditional dances, the Muchongoyo and the Jerusarema., Zimbabwe Dance: Rhythmic Forces, Ancestral Voices, an Aesthetic Analysis to your collection on WonderClub |