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Introduction | 15 | |
Presque Isle, Maine | 21 | |
Boat Builder | 21 | |
Mother's Winter Guests | 22 | |
Wood Stove Sunday | 23 | |
Horse Girls | 24 | |
The Unreturning | 26 | |
The Isosceles Lighthouse | 27 | |
La Route Jackman | 29 | |
Riviere du Loup | 30 | |
Where I Come From | 31 | |
Return of the Native | 31 | |
The Moving Image | 33 | |
Valley-Folk | 34 | |
George Burroughs | 34 | |
The Water and the Rock | 35 | |
The Beach at Noon | 35 | |
After Rain | 37 | |
The Worker Bee | 37 | |
In the Beginning | 39 | |
Cape Enrage | 39 | |
When Ships Sail Too Close | 40 | |
When You Can't Leave Me Anymore | 41 | |
On the Train | 41 | |
All this night long | 43 | |
A Kind of Wakefulness | 44 | |
The Death of My Father | 45 | |
This Catching of Breath at the Top | 46 | |
The Manes P. Aground Off Fort Dufferin | 48 | |
Four O'Clock, New Year's Morning, New River Beach | 49 | |
The Damp Hips of the Women | 51 | |
Poem Upon the Forcible Entry by Cat into a Poem Originally Upon Trilliums | 54 | |
Codicil | 54 | |
For Brigid | 55 | |
Portobello | 56 | |
The Cemetery at Loch End, Catalone, Cape Breton | 59 | |
Nothing | 60 | |
John Thompson | 60 | |
from The Golden Book of Bovinities | 62 | |
Room with a view | 63 | |
The Skin You Wore | 64 | |
And He Wept Aloud, So That the Egyptians Heard It | 65 | |
The Red Wool Shirt | 66 | |
Britain Street | 67 | |
Daughter of Zion | 68 | |
Day's End | 69 | |
Saturday Afternoon | 71 | |
Red Pepper | 71 | |
Orpheus Meets Eurydice in the Underworld | 72 | |
The Refrigerator | 73 | |
Paddling | 74 | |
Lilacs | 75 | |
On Sundays in Summer | 77 | |
Again with Music | 77 | |
Remembering Miller | 78 | |
Old Women and Love | 79 | |
Horse | 81 | |
Turnip Field | 82 | |
The Onion | 83 | |
Ghazal I | 84 | |
Ghazal XXXVII | 85 | |
Open-Air Museum | 86 | |
Wishful Fall | 86 | |
Presence and Process | 87 | |
10 Reasons Why I Fall in Love with Inaccessible Straight Boys Every Damn Time | 88 | |
"Insight into private affairs ... raises certain barristers and magistrates to such great heights" | 89 | |
Men Together | 90 | |
Simone Signoret, Beldam | 91 | |
In Cezanne's studio, we're dappled with joy | 92 | |
Claude Monet's Water Landscapes | 92 | |
December 1972: First Winter Ascension of the Sass Maor | 93 | |
Tattoo | 93 | |
Dikes on Fundy Bay | 94 | |
Antlia the Air Pump | 95 | |
Pegasus the Winged Horse | 95 | |
Octans the Octant | 96 | |
Lynx | 97 | |
A Basement Tale | 101 | |
Always | 102 | |
from Talking to the Birds: 2. to a northern gannet | 103 | |
The Afterlife of Trees | 104 | |
At the Fishhouses | 105 | |
Cape Breton | 107 | |
Poem | 109 | |
Nova Scotia Fish Hut | 111 | |
Early Morning Landing | 111 | |
Orchard in the Woods | 112 | |
Blank Sonnet | 114 | |
Haligonian Market Cry | 114 | |
Blue Elegies: I. v | 115 | |
Love Poem / Song Regarding Weymouth Falls | 116 | |
Chopping Wood | 118 | |
Watermarks | 120 | |
Lorne, Nova Scotia | 121 | |
Banns | 123 | |
Child of the Earth | 124 | |
Drowning Water | 126 | |
The True Names of Birds | 128 | |
The moon on Friday night | 128 | |
The Peonies | 129 | |
On Building a Nest | 130 | |
Passamaquoddy Song of the Stars | 132 | |
You, I, Love, Beauty, Earth | 132 | |
Old Stories | 133 | |
Plawej ans L'nui'site'w | 134 | |
Prayer | 135 | |
Scanning an Afternoon in Winter | 135 | |
Through a Slit in the Tent | 136 | |
The Sadness of Windows | 138 | |
The Fern Kidnappings | 139 | |
The Valley, After Blossoms | 140 | |
Muskoxen | 141 | |
Brave | 141 | |
What We Learned on the Highway Near St. John's | 142 | |
When night meets thread & needle & lies down among the bedclothes | 144 | |
Especially after rain, the gulls | 145 | |
This is the body, consoling itself | 146 | |
The body as dictionary, as bible | 149 | |
Snow; a fear of dying | 149 | |
A move to liquid | 151 | |
A winter's affection: radiomimetic | 152 | |
Heron | 154 | |
Woodcock Feather | 154 | |
Kestrel | 155 | |
Escalade | 156 | |
Crabapple Blossoms | 157 | |
Deer on a Beach | 158 | |
White, Mauve, Yellow | 159 | |
A Name, Many Names | 160 | |
The Lilacs | 161 | |
Bare Places | 163 | |
Skull | 164 | |
Walk After Rain | 164 | |
Multiple Choice | 165 | |
from The Killed | 166 | |
Haunting | 167 | |
Winter Marsh | 168 | |
Undergoing | 169 | |
On the Beach One Day | 170 | |
Auden's Face | 171 | |
Father on My Shoulders | 172 | |
Revelations | 173 | |
River Otters at Play | 174 | |
Dragging Bottom | 175 | |
The Text of Evening | 177 | |
Homesteading | 178 | |
Green Cadillac | 179 | |
Resurrection at West Lake | 180 | |
Charlottetown Harbour | 185 | |
The Island | 185 | |
I've Tasted My Blood | 186 | |
The Squall | 187 | |
That Corrugated Look to Water | 190 | |
The Completion of the Fiddle | 191 | |
Out of the Blizzard | 190 | |
The Boy I Never Met | 190 | |
She Sends Him a Postcard of the Sea | 192 | |
Teaching My Husband to Swim | 193 | |
Departures | 194 | |
from On the Island | 195 | |
Cape Breton in Autumn | 196 | |
My Class Draws a Blank on Robbie Burns | 198 | |
Metamorphosis | 199 | |
Spark | 201 | |
Perfect Circle | 201 | |
The Digging of Deep Wells | 203 | |
Shingle Flies | 205 | |
Me as an Archaeologist | 206 | |
Sledgehammer | 207 | |
My love is strung with the ancient | 208 | |
Hearthouse | 209 | |
Making the Middle Be | 211 | |
North Shore Park | 212 | |
from The Story of My Land | 214 | |
Dark Horses | 216 | |
Cormorants | 217 | |
Some Days, Paradise | 217 | |
A Prayer for My Daughters | 218 | |
For Mordecai Richler's Shalinsky Who Said "A Jew Is an Idea" | 220 | |
Aphelion | 221 | |
My Father Plaits His Granddaughter's Hair | 221 | |
The muted | 223 | |
You Wanted to Hear | 223 | |
Early Morning Was | 224 | |
All Light | 225 | |
How Could They | 225 | |
The Unicorn | 226 | |
What's Lost | 231 | |
Capelin Scull | 232 | |
Painting the Islands | 233 | |
Loom | 234 | |
Burn | 236 | |
The Marriage | 237 | |
Abandoned Outport | 239 | |
If Sonnets Were in Fashion | 240 | |
Daedalus | 241 | |
Riddle | 243 | |
Utopia | 245 | |
Crossing the Straits | 247 | |
Tropical Toads | 249 | |
Night Crossing in Ice | 250 | |
Signal Hill | 251 | |
Let Us Go and Find a Place of Worship | 253 | |
Solar Eclipse, St. John's, Newfoundland | 254 | |
Booman | 255 | |
How to Leave an Island | 256 | |
Another Night in Crawley's Cove | 258 | |
Lupines | 259 | |
Drowned | 261 | |
On The Ice | 261 | |
White Wedding | 262 | |
The Laboratory | 263 | |
from The Grey Islands: "They all save one last squirt" | 265 | |
Cedar Cove | 266 | |
That Night We Were Ravenous | 267 | |
Night in the Ashes | 270 | |
The Time That Passes | 271 | |
The Tilts, Point Lance | 272 | |
Mike's | 273 | |
Poem Without Beginning or End | 274 | |
The Crocus (after snow) | 275 | |
The Heart | 276 | |
Summer Solstice | 280 | |
Longliner at Sunset | 281 | |
Crocuses and Crown-of-Thorns | 282 | |
Biographies | 283 | |
Bibliography | 291 | |
Acknowledgements | 301 | |
Index | 307 |
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Add Coastlines: The Poetry of Atlantic Canada, Atlantic Canada is enjoying a renaissance unknown since the days of Alden Nowlan, Milton Acorn, and John Thompson. Coastlines: The Poetry of Atlantic Canada features work by 60 of the region?s finest poets in a volume that will whet appetites for more. Th, Coastlines: The Poetry of Atlantic Canada to the inventory that you are selling on WonderClubX
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Add Coastlines: The Poetry of Atlantic Canada, Atlantic Canada is enjoying a renaissance unknown since the days of Alden Nowlan, Milton Acorn, and John Thompson. Coastlines: The Poetry of Atlantic Canada features work by 60 of the region?s finest poets in a volume that will whet appetites for more. Th, Coastlines: The Poetry of Atlantic Canada to your collection on WonderClub |