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How have the middle ages been constructed in modern European culture? How have these constructions both reflected and refashioned national and political ideology? What has characterised the interplay between literary and artistic medievalism and the rise of formal medieval studies in the academy? This international collection addresses medievalism in Germany, France, Scandinavia, and postcolonial South America. Contributors: RICHARD J. UTZ, ALBRECHT CLASSEN, OTFRID EHRISMANN, NILS HOLGER PETERSEN, ROBERT E. BJORK, MARTHA L. MACFARLANE, ADAM KNOBLER, WILLIAM CHESTER JORDAN, SUZY BEEMER, WILLIAM CALIN, ROY ROSENSTEIN
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