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Acknowledgements | ||
Foreword | ||
I | The Beautiful and the Damned | 1 |
Social order and social classification | 5 | |
II | Putting Faces to the Names: Social and Celebrity Portrait Photography | 17 |
The social context of photography | 17 | |
Portraits and biographies | 21 | |
The business of the studio | 29 | |
The age of collodion | 35 | |
The vogue for the carte de visite | 43 | |
The damned | 54 | |
III | Policing the Face | 57 |
Introduction | 57 | |
Exploring the body and the mind: physiognomy, psychology and psychiatry | 63 | |
Exploring the face: anthropology | 84 | |
Exploring the face: criminology and the degenerate | 93 | |
Conclusion | 107 | |
IV | Conclusion: Template for a New Order? | 109 |
Bibliography | 116 | |
Timeline | 118 | |
Glossary | 120 | |
Index | 122 |
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