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Book Categories |
Acknowledgements | ||
Contributors | ||
Introduction: Revisioning Duras | 1 | |
Pt. I | Film | |
1 | An Art of Fugue? The Polyphonic Cinema of Marguerite Duras | 21 |
2 | Screening the Vampire: Notes on India Song and the Photographic Images of La mer ecrite | 37 |
3 | Hijacking the Hunter: Duras's 'La nuit du chasseur' | 61 |
4 | Excitable Silence: the Violence of Non-violence in Nathalie Granger | 75 |
Pt. II | Race | |
5 | Durasie: Women, Natives, and Other | 95 |
6 | Imaginary White Female: Myth, Race, and Colour in Duras's L'amant de la Chine du Nord | 113 |
7 | 'Like the French of France': Immigration and Translation in the Later Novels of Marguerite Duras | 127 |
Pt. III | Sex | |
8 | Female Homoerotics and Lesbian Textuality in the Work of Marguerite Duras | 155 |
9 | Life and Death Upon the Page: Marguerite Duras and Roland Barthes | 171 |
10 | Photography and Fetishism in L'amant | 191 |
Brief Chronology of the Work of Marguerite Duras | 203 | |
Select Bibliography | 207 |
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Add Revisioning Duras: Film, Race, Sex, The extraordinary range, complexity and power of Marguerite Duras – novelist, dramatist, film-maker, essayist – has been justly recognized. Yet in the years following her death in 1996, there has been an increasing tendency to consecrate her work, particu, Revisioning Duras: Film, Race, Sex to the inventory that you are selling on WonderClubX
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Add Revisioning Duras: Film, Race, Sex, The extraordinary range, complexity and power of Marguerite Duras – novelist, dramatist, film-maker, essayist – has been justly recognized. Yet in the years following her death in 1996, there has been an increasing tendency to consecrate her work, particu, Revisioning Duras: Film, Race, Sex to your collection on WonderClub |