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Notes on the Editor & Contributors | ||
Introduction | 1 | |
1 | Making Symmetrical Knowledge Possible: Recent Trends in the Field of Southern African Oral Performance Studies | 18 |
2 | Obscurity and Exegesis in African Oral Praise Poetry | 27 |
3 | Remaking the Warrior?: The Role of Orality in the Liberation Struggle and in Post-Apartheid South Africa | 50 |
4 | (Dis)Locating Selves: Izibongo and Narrative Autobiography in South Africa | 61 |
5 | The Image of the Book in Xhosa Oral Poetry | 90 |
6 | Orality and Modernity in Autobiographical Representation: The Case of Naboth Mokgatle's Life Story | 111 |
7 | Mandela, Africanism and Modernity: A Consideration of Long Walk to Freedom | 132 |
8 | Orality, Literacy and the Archive in the Making of Kas Maine | 138 |
9 | The Emergence of the South African Oral-Style Short Story: A. W. Drayson's Tales at the Outspan | 148 |
10 | 'Different People Just Have Different Minds': A Personal Attempt to Understand Ju/'hoan Storytelling Aesthetics | 161 |
11 | Sister, Spouse, Lazy Woman: Commentaries on Domestic Predicaments by Kiba Performers from the Northern Province | 176 |
12 | Orality and Christianity: The Hymns of Isaiah Shembe & the Chrch of the Nazarites | 195 |
13 | Chakide - The Teller of Secrets: Space, Song & Story in Zulu Maskanda Performance | 220 |
Index | 235 |
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