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Salò or The Hundred and Twenty Days of Sodom (Salò o Le centoventi giornate di Sodoma, 1975) is one of the most controversial and scandalous films ever made. It was Pier Paolo Pasolini's last film; he was murdered shortly after completing it. An adaptation of Sade's vicious masterpiece, but relocated to Fascist-ruled Italy, Salò is an unflinching, violent portrayal of sexual cruelty which many find too disturbing to watch.
But insightful artworks are often disturbing. Beneath the extreme, taboo-breaking surface of Salò, Gary
Indiana argues, is a deeply penetrating account of human behavior that resonates not only as an account of fascism but as a picture of the corporate, morally compromised world we live in today.
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Add Salò or the Hundred and Twenty Days of Sodom, Salò or The Hundred and Twenty Days of Sodom (Salò o Le centoventi giornate di Sodoma, 1975) is one of the most controversial and scandalous films ever made. It was Pier Paolo Pasolini's last film; he was murdered shortly after completing it. An ad, Salò or the Hundred and Twenty Days of Sodom to the inventory that you are selling on WonderClubX
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Add Salò or the Hundred and Twenty Days of Sodom, Salò or The Hundred and Twenty Days of Sodom (Salò o Le centoventi giornate di Sodoma, 1975) is one of the most controversial and scandalous films ever made. It was Pier Paolo Pasolini's last film; he was murdered shortly after completing it. An ad, Salò or the Hundred and Twenty Days of Sodom to your collection on WonderClub |