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Book Categories |
List of Contributors | ||
Preface and Acknowledgements | ||
Abbreviations | ||
1 | Introduction: African Cinema and the Emergent Africa | 3 |
2 | Africa, the West and the Analogy of Culture: The Cinematic Text after Man | 25 |
3 | The Iconography of African Cinema: What Is It and How Is It Identified? | |
Introduction | 79 | |
The Iconography of West African Cinema | 81 | |
Respondents | 90 | |
4 | Is the Decolonisation of the Mind a Prerequisite for the Independence of Thought and the Creative Practice of African Cinema? | |
Introduction | 93 | |
The Intolerable Gift | 97 | |
Respondents | 103 | |
5 | What is the Link between Chosen Genres and Developed Ideologies in African Cinema? | |
Introduction | 106 | |
African Cinema and Ideology: Tendencies and Evolution | 109 | |
Respondents | 122 | |
6 | African Cinema and Postmodernist Criticism | |
Introduction | 134 | |
Searching for the Postmodern in African Cinema | 136 | |
Respondents | 145 | |
7 | Information Technology, Power, Cinema and Television in Africa | |
Introduction | 153 | |
Power, Cinema and TV in Africa | 158 | |
Respondents | 176 | |
8 | Can African Cinema Achieve the Same Level of Indigenisation as Other Popular African Art Forms? | |
Introduction | 183 | |
Commentary | 185 | |
Discussion | 187 | |
Respondents | 191 | |
9 | Audiences and the Critical Appreciation of Cinema in Africa | |
Introduction | 195 | |
Unwinding the African Dream on African Ground | 197 | |
Respondents | 227 | |
10 | Weapons of Resistance | 237 |
11 | The Homecoming of African Cinema | 239 |
App. A | Conference Structure | 245 |
App. B | Conference Screenings | 249 |
Index | 251 |
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Add Symbolic Narratives/African Cinema : Audiences, Theory and the Moving Image, This compelling volume is drawn from Africa and the History of Cinematic Ideas, a conference at which filmmakers, cultural theorists, and critics debated the historical contexts for African cinema and the implications of new distribution and exhibition , Symbolic Narratives/African Cinema : Audiences, Theory and the Moving Image to the inventory that you are selling on WonderClubX
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Add Symbolic Narratives/African Cinema : Audiences, Theory and the Moving Image, This compelling volume is drawn from Africa and the History of Cinematic Ideas, a conference at which filmmakers, cultural theorists, and critics debated the historical contexts for African cinema and the implications of new distribution and exhibition , Symbolic Narratives/African Cinema : Audiences, Theory and the Moving Image to your collection on WonderClub |