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Acknowledgments | ||
Preface | ||
Introduction | 1 | |
1 | European cinema and the idea of Europe, 1925-95 | 19 |
2 | Free trade as cultural threat: American film and TV exports in the post-war period | 34 |
3 | From the Blum-Byrnes Agreement to the GATT affair | 47 |
4 | The art film market in the new Hollywood | 63 |
5 | Italian genre films in the world market | 74 |
6 | Emigres or exiles? The French directors' return from Hollywood | 86 |
7 | 'D' for disgusting: American culture and English criticism | 104 |
8 | 'New Wave' interchanges: Celine and Julie and Desperately Seeking Susan | 119 |
9 | Tinsel and realism | 129 |
10 | The beautiful and the bad: notes on some actorial stereotypes | 135 |
11 | American friends: Hollywood echoes in the New German Cinema | 142 |
Notes on contributors | 156 | |
Index | 159 |
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Add Hollywood and Europe Economics, Culture, National Identity 1945-95, Since the end of the First World War, anguished voices have been raised in Europe about the need to counter Hollywood's domination of the movie marketplace.The concern has been for the balance of payments, for the protections of the indigenous industry, a, Hollywood and Europe Economics, Culture, National Identity 1945-95 to the inventory that you are selling on WonderClubX
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Add Hollywood and Europe Economics, Culture, National Identity 1945-95, Since the end of the First World War, anguished voices have been raised in Europe about the need to counter Hollywood's domination of the movie marketplace.The concern has been for the balance of payments, for the protections of the indigenous industry, a, Hollywood and Europe Economics, Culture, National Identity 1945-95 to your collection on WonderClub |