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Preface | 9 | |
Introduction: Tools of Self-Discovery and Change | 13 | |
1 | Subjective Devices to Reveal the Feminine Psyche in Carmen Laforet's Nada | 25 |
2 | The Entrapment of the Distorted Mirror in Primera memoria | 45 |
3 | Metaphor and Metonymy: A Bridge Between the Gaps in La placa del Diamant | 65 |
4 | The Reflection of Dangerous Division in Julia | 87 |
5 | El amor es un juego solitario: Loss of Truth through Baroque Metaphors and Provocative Mirrors | 107 |
6 | Metonymy and Mirrors as Process of Identity in El cuarto de atras | 125 |
7 | Mirror Messages that Signal Change in Questio d'amor propi | 142 |
Conclusion: The Temporal Mirror | 159 | |
Notes | 165 | |
Bibliography | 198 | |
Index | 213 |
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Add Reflection in Sequence: Novels by Spanish Women, 1944-1988, The codes of conduct imposed on females by Spain's dictator Francisco Franco after the Spanish Civil War (1936-39) created a stifling environment for women until his death in 1975. Beginning with Carmen Laforet's 1944 Nadal Prize-winning novel Nada, novel, Reflection in Sequence: Novels by Spanish Women, 1944-1988 to the inventory that you are selling on WonderClubX
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Add Reflection in Sequence: Novels by Spanish Women, 1944-1988, The codes of conduct imposed on females by Spain's dictator Francisco Franco after the Spanish Civil War (1936-39) created a stifling environment for women until his death in 1975. Beginning with Carmen Laforet's 1944 Nadal Prize-winning novel Nada, novel, Reflection in Sequence: Novels by Spanish Women, 1944-1988 to your collection on WonderClub |