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Acknowledgments | ||
1 | Get the Picture? | 13 |
2 | How Manuel Machado Did (Not) Get the Picture | 33 |
3 | The Writerly/Painterly Text: Rafael Alberti and Pablo Picasso | 53 |
4 | Shot Out of the Can(n)on: Gloria Fuertes, Carmen Martin Gaite, and the Problem of Liminality | 89 |
5 | (Self-)Portraits, (Dis)Guises, and Frames: The (Dis)Figuring Gaze of Jaime Gil de Biedma and Jose Angel Valente | 114 |
6 | Pop Goes the (W)Easel: Portraits by and of Maria Victoria Atencia and Ana Rossetti | 146 |
7 | Pere Gimferrer and Jenaro Talens on (the) Camera, or The Lens and The I's/Eye's Obscure Object of Desire | 176 |
Epilogue: Fade-out-or-Still Moving | 217 | |
Notes | 219 | |
Bibliography | 235 | |
Index | 251 |
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Add Getting the picture, This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading prac, Getting the picture to the inventory that you are selling on WonderClubX
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Add Getting the picture, This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading prac, Getting the picture to your collection on WonderClub |