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Introduction | 1 | |
1 | Ken Kesey's Indian Narrator: A Sweeping Stereotype? | 5 |
2 | Flying the Cuckoo's Nest: Kesey's Narrator as Norm | 13 |
3 | One Flew Over the Cuckoo's Nest and the High Cost of Living | 25 |
4 | A Place Apart: The Historical Context of Kesey's Asylum | 41 |
5 | Big Mama, Big Papa, and Little Sons in Ken Kesey's One Flew Over the Cuckoo's Nest | 49 |
6 | The Grail Knight Arrives: Ken Kesey, One Flew Over the Cuckoo's Nest | 67 |
7 | Mechanistic and Totemistic Symbolization in Kesey's One Flew Over the Cuckoo's Nest | 81 |
8 | Christ in the Cuckoo's Nest: or, the Gospel According to Ken Kesey | 103 |
9 | McMurphy and Yossarian as Politicians | 111 |
10 | Kesey and Vonnegut: Preachers of Redemption | 127 |
11 | The Abdication of Masculinity in One Flew Over the Cuckoo's Nest | 135 |
12 | The Big Nurse as Ratchet: Sexism in Kesey's Cuckoo's Nest | 145 |
13 | "It's the Truth Even If It Didn't Happen": Ken Kesey's One Flew Over the Cuckoo's Nest | 151 |
14 | Control by Camera: Milos Forman as Subjective Narrator | 163 |
15 | One Cuckoo Flew Over the Rest | 173 |
Bibliography | 183 | |
Contributors | 201 | |
Index | 205 |
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