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Book Categories |
Foreword | ||
Preface | ||
Preface to the Second Edition | ||
Introduction | ||
Acknowledgments | ||
1 | The Evolution of Sound Design | 1 |
2 | The Foundation of Sound Design | 11 |
3 | Developing the Concept and Design | 27 |
4 | Research, Resources, and Selection | 49 |
5 | The Sound Plot | 65 |
6 | Working with the Theatre Company | 75 |
7 | Preparing to Build the Cues | 89 |
8 | Recording, Editing, and Refining Cues | 101 |
9 | Rehearsals | 109 |
10 | Running the Show | 131 |
11 | Approaches and Techniques | 157 |
Feedback: A Directors' and Playwrights' Forum | 179 | |
More Feedback: A Sound Designers' and Composers' Forum | 207 | |
Glossary | 259 | |
Additional Resources | 262 | |
Index | 263 |
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Add Sound+music for the Theatre, Sound and Music for the Theatre, Second Edition, is the only comprehensive text that discusses the aesthetics of sound design for the stage. This practical guide examines the designer's relationships within the theatre community and details the process of, Sound+music for the Theatre to the inventory that you are selling on WonderClubX
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Add Sound+music for the Theatre, Sound and Music for the Theatre, Second Edition, is the only comprehensive text that discusses the aesthetics of sound design for the stage. This practical guide examines the designer's relationships within the theatre community and details the process of, Sound+music for the Theatre to your collection on WonderClub |