|
|
Sold Out
Book Categories |
Contents
Acknowledgments
Preface
I
Integrating Actor and Audience
II
Language, Staging, and “Affect”: Figurenposition in Richard III
III
Engagement and Detachment in Richard II
IV
Representation and Privileged Knowledge in Hamlet
V
Location and Idiom in Othello
VI
Multiconsciousness in King Lear
VII
Voice and Multiple Awareness in Macbeth
VIII
Directing Sympathy in Antony and Cleopatra
Notes
Index
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Login|Complaints|Blog|Games|Digital Media|Souls|Obituary|Contact Us|FAQ
CAN'T FIND WHAT YOU'RE LOOKING FOR? CLICK HERE!!! X
You must be logged in to add to WishlistX
This item is in your Wish List
X
This item is in your Collection
Shakespeare's Dramatic Transactions
X
This Item is in Your Inventory
Shakespeare's Dramatic Transactions
X
You must be logged in to review the productsX
X
X
Add Shakespeare's Dramatic Transactions, Shakespeare's Dramatic Transactions uses conventions of performance criticism—staging and theatrical presentation—to analyze seven major Shakespearean tragedies: Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Richard II, and R, Shakespeare's Dramatic Transactions to the inventory that you are selling on WonderClubX
X
Add Shakespeare's Dramatic Transactions, Shakespeare's Dramatic Transactions uses conventions of performance criticism—staging and theatrical presentation—to analyze seven major Shakespearean tragedies: Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Richard II, and R, Shakespeare's Dramatic Transactions to your collection on WonderClub |