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| Preface | ||
| Acknowledgments | ||
| 1 | Aesthetics, Modernity, and Alternative Modernity: The Case of China | 1 |
| 2 | The Formation of Marxist Aesthetics: From Shanghai to Yan'an | 36 |
| 3 | Hegemony and Counterhegemony: National Form and "Subjective Fighting Spirit" | 71 |
| 4 | Aesthetics, Ideology, and Cultural Reconstruction | 111 |
| 5 | Subjectivity and Aesthetic Marxism: Toward a Cultural Topology of Postrevolutionary Society | 149 |
| Notes | 192 | |
| Bibliography | 215 | |
| Index | 225 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Nicholas Denham
reviewed Aesthetics and Marxism on May 06, 2020
Aesthetics and Marxism
This was a really fascinating read. I feel like these are two of those topics that discreetly go hand-in-hand. You see aesthetics everywhere in history: art, architecture, fashion, stories, and more. Although Berenson focuses on Italian Art, a lot of the topics can be seen in other aspects of history and culture. I do recommend this as a read if you can get a copy.
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Add Aesthetics and Marxism, Although Chinese Marxism—primarily represented by Maoism—is generally seen by Western intellectuals as monolithic, Liu Kang argues that its practices and projects are as diverse as those in Western Marxism, particularly in the area of aesthetics. In , Aesthetics and Marxism to the inventory that you are selling on WonderClubX
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Add Aesthetics and Marxism, Although Chinese Marxism—primarily represented by Maoism—is generally seen by Western intellectuals as monolithic, Liu Kang argues that its practices and projects are as diverse as those in Western Marxism, particularly in the area of aesthetics. In , Aesthetics and Marxism to your collection on WonderClub |
