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Never Say I: Sexuality and the First Person in Colette, Gide, and Proust Book

Never Say I: Sexuality and the First Person in Colette, Gide, and Proust
Never Say I: Sexuality and the First Person in Colette, Gide, and Proust, <i>Never Say I</i> reveals the centrality of representations of sexuality, and particularly same-sex sexual relations, to the evolution of literary prose forms in twentieth-century France. Rethinking the social and literary innovation of works by Marcel P, Never Say I: Sexuality and the First Person in Colette, Gide, and Proust has a rating of 4 stars
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Never Say I: Sexuality and the First Person in Colette, Gide, and Proust, Never Say I reveals the centrality of representations of sexuality, and particularly same-sex sexual relations, to the evolution of literary prose forms in twentieth-century France. Rethinking the social and literary innovation of works by Marcel P, Never Say I: Sexuality and the First Person in Colette, Gide, and Proust
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  • Never Say I: Sexuality and the First Person in Colette, Gide, and Proust
  • Written by author Michael Lucey
  • Published by Duke University Press Books, November 2006
  • Never Say I reveals the centrality of representations of sexuality, and particularly same-sex sexual relations, to the evolution of literary prose forms in twentieth-century France. Rethinking the social and literary innovation of works by Marcel P
  • Literary study that focuses on how early-20th-century French writers (Gide, Collette and Proust) used first-person narrative to explore questions of sexuality and group identity.
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Contents

Acknowledgments....................vii
Introduction: Referring to Same-Sex Sexualities in the First Person....................1
1 Gide, Bourget, and Proust Talking....................29
2 Questions of Register in and around 1902....................57
3 Colette, the Moulin Rouge, and Les Vrilles....................94
4 Gide and Posterity....................165
5 Proust's Queer Metalepses....................193
6 Sodom and Gomorrah: Proust's Narrator's First Person....................215
Epilogue....................250
Notes....................259
Works Cited....................303
Index....................317


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Never Say I: Sexuality and the First Person in Colette, Gide, and Proust, <i>Never Say I</i> reveals the centrality of representations of sexuality, and particularly same-sex sexual relations, to the evolution of literary prose forms in twentieth-century France. Rethinking the social and literary innovation of works by Marcel P, Never Say I: Sexuality and the First Person in Colette, Gide, and Proust

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Never Say I: Sexuality and the First Person in Colette, Gide, and Proust, <i>Never Say I</i> reveals the centrality of representations of sexuality, and particularly same-sex sexual relations, to the evolution of literary prose forms in twentieth-century France. Rethinking the social and literary innovation of works by Marcel P, Never Say I: Sexuality and the First Person in Colette, Gide, and Proust

Never Say I: Sexuality and the First Person in Colette, Gide, and Proust

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Never Say I: Sexuality and the First Person in Colette, Gide, and Proust, <i>Never Say I</i> reveals the centrality of representations of sexuality, and particularly same-sex sexual relations, to the evolution of literary prose forms in twentieth-century France. Rethinking the social and literary innovation of works by Marcel P, Never Say I: Sexuality and the First Person in Colette, Gide, and Proust

Never Say I: Sexuality and the First Person in Colette, Gide, and Proust

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