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Introduction : in memoriam | 3 | |
Pt. I | History and remembrance as social aesthetics | |
1 | "The memory is all that matters" | 23 |
2 | A life in the borderlands | 64 |
Pt. II | Fictions of the transnational imaginary | |
3 | The checkerboard of consciousness in George Washington Gomez | 145 |
4 | Transnational modernisms : Paredes, Roosevelt, Rockwell, Bulosan, and the four freedoms | 190 |
5 | Paredes and the modernist vernacular intellectuals : George I. Sanchez and Emma Tenayuca | 226 |
6 | The borders of modernity | 241 |
7 | Bilingual aesthetics and the law of the heart | 264 |
8 | Border subjects and transnational sites : the Hammon and the beans and other stories | 289 |
9 | Narrative and the idioms of race, nation, and identity | 318 |
10 | The postwar borderlands and the origins of the transnational imaginary : the occupation-era writings in Pacific Stars and Stripes and El Universal | 344 |
11 | The Shadow and the imaginary functioning of institutions | 395 |
Conclusion : a transsentimental journey | 432 |
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