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Appropriating Blackness: Performance and the Politics of Authenticity Book

Appropriating Blackness: Performance and the Politics of Authenticity
Appropriating Blackness: Performance and the Politics of Authenticity, Performance artist and scholar E. Patrick Johnson's provocative study examines how blackness is appropriated and performed—toward widely divergent ends—both within and outside African American culture. <i>Appropriating Blackness</i> develops from the cont, Appropriating Blackness: Performance and the Politics of Authenticity has a rating of 5 stars
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Appropriating Blackness: Performance and the Politics of Authenticity, Performance artist and scholar E. Patrick Johnson's provocative study examines how blackness is appropriated and performed—toward widely divergent ends—both within and outside African American culture. Appropriating Blackness develops from the cont, Appropriating Blackness: Performance and the Politics of Authenticity
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  • Appropriating Blackness: Performance and the Politics of Authenticity
  • Written by author E. Patrick Johnson
  • Published by Duke University Press, January 2003
  • Performance artist and scholar E. Patrick Johnson's provocative study examines how blackness is appropriated and performed—toward widely divergent ends—both within and outside African American culture. Appropriating Blackness develops from the cont
  • A consideration of the performance of Blackness and race in general, in relation to sexuality and critiques of authenticity.
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Authors

Acknowledgments
Introduction: "Blackness" and Authenticity: What's Performance Got to Do with It?1
1The Pot Is Brewing: Marlon Riggs's Black Is ... Black Ain't17
2Manifest Faggotry: Queering Masculinity in African American Culture48
3Mother Knows Best: Blackness and Transgressive Domestic Space76
4"Nevah Had uh Cross Word": Mammy and the Trope of Black Womanhood104
5Sounds of Blackness Down Under: The Cafe of the Gate of Salvation160
6Performance and/as Pedagogy: Performing Blackness in the Classroom219
App. AMary Rhyne's Narrative257
App. BInterview with Mrs. Smith311
Notes315
Bibliography345
Index361


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Appropriating Blackness: Performance and the Politics of Authenticity, Performance artist and scholar E. Patrick Johnson's provocative study examines how blackness is appropriated and performed—toward widely divergent ends—both within and outside African American culture. <i>Appropriating Blackness</i> develops from the cont, Appropriating Blackness: Performance and the Politics of Authenticity

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Appropriating Blackness: Performance and the Politics of Authenticity, Performance artist and scholar E. Patrick Johnson's provocative study examines how blackness is appropriated and performed—toward widely divergent ends—both within and outside African American culture. <i>Appropriating Blackness</i> develops from the cont, Appropriating Blackness: Performance and the Politics of Authenticity

Appropriating Blackness: Performance and the Politics of Authenticity

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Appropriating Blackness: Performance and the Politics of Authenticity, Performance artist and scholar E. Patrick Johnson's provocative study examines how blackness is appropriated and performed—toward widely divergent ends—both within and outside African American culture. <i>Appropriating Blackness</i> develops from the cont, Appropriating Blackness: Performance and the Politics of Authenticity

Appropriating Blackness: Performance and the Politics of Authenticity

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