Sold Out
Book Categories |
Preface | ||
1 | Caught in the Spectacle | 1 |
2 | Gendering the National "Self" | 29 |
3 | Military Males, "Bad" Women, and a Dirty, Dirty War | 59 |
4 | The Theatre of Operations: Performing Nation-ness in the Public Sphere | 91 |
5 | Percepticide | 119 |
6 | Disappearing Bodies: Writing Torture and Torture as Writing | 139 |
7 | Trapped in Bad Scripts: The Mothers of the Plaza de Mayo | 183 |
8 | Staging Battles of Gender and Nation-ness: Teatro Abierto 1981 | 223 |
9 | Crossing the Line: Watching Violence in the "Other" Country | 255 |
Notes | 267 | |
Bibliography | 291 | |
Index | 305 |
Login|Complaints|Blog|Games|Digital Media|Souls|Obituary|Contact Us|FAQ
CAN'T FIND WHAT YOU'RE LOOKING FOR? CLICK HERE!!! X
You must be logged in to add to WishlistX
This item is in your Wish ListX
This item is in your CollectionDisappearing Acts: Spectacles of Gender and Nationalism in Argentina's Dirty War
X
This Item is in Your InventoryDisappearing Acts: Spectacles of Gender and Nationalism in Argentina's Dirty War
X
You must be logged in to review the productsX
X
X
Add Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's Dirty War, In Disappearing Acts, Diana Taylor looks at how national identity is shaped, gendered, and contested through spectacle and spectatorship. The specific identity in question is that of Argentina, and Taylor's focus is directed toward the years 1976 t, Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's Dirty War to the inventory that you are selling on WonderClubX
X
Add Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's Dirty War, In Disappearing Acts, Diana Taylor looks at how national identity is shaped, gendered, and contested through spectacle and spectatorship. The specific identity in question is that of Argentina, and Taylor's focus is directed toward the years 1976 t, Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's Dirty War to your collection on WonderClub |