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Acknowledgments | ||
Note on the Translations | ||
Introduction: The High/Low Opposition and the Spanish Novel | 1 | |
Ch. 1 | Modernity and Narration in Galdos's La desheredada | 27 |
Ch. 2 | Separate and Unequal: Literature's Polemic against Mass Culture in La desheredada | 50 |
Ch. 3 | Fusion of Genres, Distinction of Genders: A Recipe for Partial Social Change in Galdos's Tormento | 100 |
Ch. 4 | Apocalypse Again: Mass Culture, Misogyny, and the Canon in Goytisolo's Reivindicacion del conde don Julian | 137 |
Ch. 5 | Beyond High and Low: Carmen Martin Gaite's El cuarto de atras | 188 |
Ch. 6 | Martin Gaite, Galdos, Goytisolo: Dialogues on the Role of Culture | 215 |
Conclusion: Uneven Modernization and the Conditions of Emergence of the Spanish Mass Cultural Novel | 231 | |
Appendix: Plot Summaries | 245 | |
Bibliography | 255 | |
Index | 271 |
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Add Inventing high and low, Dire word of the cultural threat of the lowbrow goes back at least to the ancient Greeks, and yet, Stephanie Sieburth suggests, no division between high and low culture will stand up to logical scrutiny. Why, then, does the opposition persist? In this, Inventing high and low to the inventory that you are selling on WonderClubX
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Add Inventing high and low, Dire word of the cultural threat of the lowbrow goes back at least to the ancient Greeks, and yet, Stephanie Sieburth suggests, no division between high and low culture will stand up to logical scrutiny. Why, then, does the opposition persist? In this, Inventing high and low to your collection on WonderClub |