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Preface | ||
Acknowledgments | ||
Chronology: Charles W. Chesnutt (1858-1932) | ||
1 | Introduction | 1 |
2 | The White and the Black ... and the Limits of Authorship | 27 |
3 | "Through My Leafy Veil": Chesnutt's Narrative Witnesses | 47 |
4 | Negotiating Belief and Voicing Difference | 77 |
5 | Speaking For (and Against) Each Other: The Inside Narratives | 107 |
6 | Shortening His Weapons: The More Detached Voice of Realism | 137 |
7 | Conclusion: The Blackballing of Charles W. Chesnutt | 166 |
Notes | 177 | |
Bibliography | 197 | |
Index | 207 |
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Add The Absent Man: The Narrative Craft of Charles W. Chesnutt, In The Absent Man, Charles Duncan attributes Chesnutt's uneasy position to a remarkable narrative subtlety that shields Chesnutt's personal views from the reader. Her Virginia Mammy, for example, might initially be read as a sentimental love story or as, The Absent Man: The Narrative Craft of Charles W. Chesnutt to the inventory that you are selling on WonderClubX
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Add The Absent Man: The Narrative Craft of Charles W. Chesnutt, In The Absent Man, Charles Duncan attributes Chesnutt's uneasy position to a remarkable narrative subtlety that shields Chesnutt's personal views from the reader. Her Virginia Mammy, for example, might initially be read as a sentimental love story or as, The Absent Man: The Narrative Craft of Charles W. Chesnutt to your collection on WonderClub |