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Foreword | ||
Acknowledgments | ||
Ch. 1 | Introduction | 1 |
1 | The challenge of other minds | 1 |
2 | Semiotic approaches to Anglo-Saxon minds | 1 |
3 | Time as an element in semiotic approaches to Anglo-Saxon minds | 9 |
Ch. 2 | Anglo-Saxon Royal Codes and Audiences | 11 |
1 | Establishing an audience for the laws of the king | 11 |
2 | Definitional preliminaries | 12 |
3 | The problem of "aeghwelc mon" in Anglo-Saxon royal codes | 13 |
4 | Scope and reference in quantifiers | 14 |
5 | A semiotic tradition in royal codes | 18 |
6 | Sources of presuppositions for the first law in Alfred's code | 24 |
Ch. 3 | Homiletic Speech Acts and Inculcation | 31 |
1 | Cultural and clerical contexts | 31 |
2 | On speech acts as a form of parenesis | 34 |
3 | Method | 35 |
4 | Hallidayan grammar and speech acts | 39 |
5 | Rhetorical variation | 54 |
6 | Authorities, witnesses, and speech acts | 56 |
7 | Form and theme in speech acts | 59 |
8 | On the need to obey God the Father | 59 |
9 | Speech acts in the family and community | 68 |
Ch. 4 | The Exploration of Mind in Beowulf | 83 |
1 | Contrasts in directing and exploring minds | 83 |
2 | Exploratory perspectives on modes of thought and feeling | 85 |
3 | The sentinel scene | 91 |
4 | The narrator's perspective on the flyting episode | 98 |
5 | Succession in hall scenes: Heorot and elsewhere | 101 |
6 | Consultation in Hygelac's hall and Freawaru's marriage | 108 |
7 | The tradition of leave-taking scenes | 113 |
8 | The tradition of the death song | 117 |
9 | Phrases for the mind of God | 122 |
Ch. 5 | Poems for Audiences in Crisis | 137 |
1 | Themes on the future in Anglo-Saxon discourse | 137 |
2 | Discourse and the presuppositions of Anglo-Saxon audiences | 137 |
3 | The need for discourse on uncertain power and times | 138 |
4 | Apprehension and discourse in The Battle of Maldon | 145 |
5 | Apprehension and discourse in three Exeter Book poems | 157 |
6 | Apprehension in Deor | 158 |
7 | Apprehension, displacement, and the possibility of deliverance | 164 |
8 | Apprehension and The Wanderer's form and language | 165 |
9 | The voice of The Seafarer and eleventh century apprehension | 169 |
Notes | 177 | |
Bibliography | 209 | |
Index | 225 |
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