Elyot, Castiglione, and the problem of style Book

"Thus what the word Renaissance really means is new birth to liberty'the spirit of mankind recovering consciousness and the power of self-determination, recognizing the beauty of the outer world and of the body through art, liberating the reason in science and the conscience in religion, restoring culture to the intelligence, and establishing the principle of political freedom."
― John Addington Symonds, Renaissance in Italy

Often, when writing about the Renaissance there is tendency among experts/writers/historians to focus on the well-plumed bird and ignore the nest. Burckhardt spends nearly 400 pages carefully detailing the Tuscan nest of the Renaissance that embraced, protected, and incubated the great Italian artists of the Rinascimento (Giotto to Michelangelo, etc).

Burckhardt first describes the state in Italy and carefully describes the rise of the despots, the energy of the republics, and the push and the pull of the papacy. He builds on this, describing the development of the individual, Italy's relationship with its Classical past. Finally, Burckhardt details the science, society and religion of Italy during those impressive years between 1350 and 1550.

I think Daniel J. Boorstin summarized it best when he said Burckhardt "offered a classic portrait of the men and institutions that gave the era its characters and made it the mother of modern European civilization."

Like Gibbon's fantastic 'Decline and Fall of the Roman Empire' it is tempting to gloss over how drastically the craft of history was changed by this book. Burckhardt wasn't interested in a stale or utilitarian history. He wanted a nest that was just as beautiful as the bird it bore.