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Book Categories |
Introduction | 1 | |
Ch. 1 | Apocalyptic Backgrounds | |
I | Apocalypticism and the Anglo-Saxon Age | 15 |
II | Apocalypse as a Literary Construct | 23 |
III | Apocalypticism in Old English Literature | 31 |
IV | Beowulf and the Christian/pagan Christian | 41 |
Ch. 2 | Beowulf, Revelation, and Ragnarok: Monsters, Signs of Doom, and Apocalyptic Narrative | 55 |
Ch. 3 | Beowulf's Tripartite Apocalypticism | 83 |
I | Societal Apocalypse | 84 |
II | Personal Apocalypse | 89 |
III | Cosmological Apocalypse | 109 |
Toward a Conclusion: Beowulf, Date, Theme, and Close Reading | 131 | |
Works Cited | 143 | |
Index | 159 |
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Add Beasts of time, Over time the reputation of Beowulf as a poem continues to rise. Extant in only one manuscript, yet perhaps the most studied of English poems, it represents a remarkable text and artifact: the first European vernacular epic. And like much of the work of i, Beasts of time to the inventory that you are selling on WonderClubX
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Add Beasts of time, Over time the reputation of Beowulf as a poem continues to rise. Extant in only one manuscript, yet perhaps the most studied of English poems, it represents a remarkable text and artifact: the first European vernacular epic. And like much of the work of i, Beasts of time to your collection on WonderClub |