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Literary critics such as Virginia Woolf and Lionel Trilling had noted intuitive affinities between the art of Jane Austen and that of Mozart, but this 1983 book was the first to compare their artistic style and individual works in a comprehensive way. Extended comparisons are of course difficult because of the intrinsic differences between prose fiction and instrumental music.
In Jane Austen and Mozart, Robert K. Wallace has succeeded in making illuminating comparisons of spirit and form in the work of these two artists. His book celebrates the achievements of Austen and Mozart by comparing their stylistic significance in the history of their separate arts and by offering comparisons of three Austen novels with three Mozart piano concertos.
In exploring precise similarities between the two artists, Wallace shows how the art and criticism of one field can illuminate the art and criticism of another. Above all, Jane Austen and Mozart attempts to show the degree to which three masterpieces by each artist have comparable meaning and value.
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| $99.99 | Digital |
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Bib Lou
reviewed Jane Austen and Mozart: Classical Equilibrium in Fiction and Music on March 12, 2012 Jane Austen and Mozart
I have not yet finished this book, but so far, it is fascinating. As a fourteen-year musician and a lifelong lover of books and words, I find this book wonderful. I have loved Jane Austen for many years, and picked this book up as a supplement to a class on Jane Austen, and, to my delight, it has addressed many of my questions about comparing two artists of different mediums who lived countries apart.
Part of the reason for my interest is that I came to notice that Jane Austen and the Classical composers are a perfect fit. In fact, stylistically, they are extremely similar. I had to ask; how can this be? In a nutshell, art reflects culture, but Robert K. Wallace, the author of this book, takes extreme care to detail all of the different aspects in which they are similar. In addition, he compares Jane Austen and Mozart (or the Classical artists) to artists of the Romantic period, such as the Bronte sisters (of Wuthering Heights and Jane Eyre), Beethoven, Liszt, and Tchaikovsky. I am finding his analyses of the various art forms to be incredibly perceptive. I have learned so much, and I am only reading Chapter II!
I will try to update when I have finished the book, but right now, I would definitely recommend this to anyone interested in literature and music of the late 18th century. In addition, I think that all Jane Austen fans and musicians should read this if they can get their hands on it. Although it has a lot of technical language, Wallace does try to make sure that his readers know what he is talking about, and even if he does not always succeed in this, the book has so much wonderful information that readers will learn a lot anyway.
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Add Jane Austen and Mozart: Classical Equilibrium in Fiction and Music, Literary critics such as Virginia Woolf and Lionel Trilling had noted intuitive affinities between the art of Jane Austen and that of Mozart, but this 1983 book was the first to compare their artistic style and individual works in a comprehensive way. Ext, Jane Austen and Mozart: Classical Equilibrium in Fiction and Music to the inventory that you are selling on WonderClubX
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Add Jane Austen and Mozart: Classical Equilibrium in Fiction and Music, Literary critics such as Virginia Woolf and Lionel Trilling had noted intuitive affinities between the art of Jane Austen and that of Mozart, but this 1983 book was the first to compare their artistic style and individual works in a comprehensive way. Ext, Jane Austen and Mozart: Classical Equilibrium in Fiction and Music to your collection on WonderClub |
